Immaculate feels like both a throwback to another era of Italian horror and a timely commentary on women’s bodily autonomy. The film centers around Cecilia (played by Sydney Sweeney), a young woman who arrives at an Italian convent deep in the remote countryside. The setting is dangerous, as we witness a classic horror movie prologue where a young nun is murdered by mysterious figures wearing red masks. The film explores themes of faith, mystery, and the intersection of life and religion.

Character Development

Unfortunately, character development is lacking. Cecilia remains a mystery, a pawn moved on a genre board. We know little about her beyond her resolute devotion, and other characters suffer from similar underdevelopment. This absence of depth hampers our emotional investment.

Director’s Style and Visual Language

Director Michael Mohan’s visual language falls short. The film lacks the vibrant cinematic expression associated with Italian Giallo horror. It fails to capture the flair and thematic thrust needed to resonate with audiences. The convent, where most of the film takes place, should be a crossroads of life and religion, but this potential remains underdeveloped.

Performances and Technical Aspects

Sydney Sweeney shines as Cecilia, proving her versatility as a scream queen. However, the rest of the cast doesn’t leave a lasting impression. The technical aspects—cinematography, editing, and sound design—are serviceable but fail to elevate the film beyond mediocrity.

Strengths and Weaknesses

Strengths:

• Sydney Sweeney’s performance
• Timely themes related to women’s autonomy
• Campy horror moments reminiscent of B movies

Weaknesses:

• Lack of character development
• Visual flatness and missed opportunities
• Remarkable lack of ambition overall

Recommendation

Immaculate isn’t groundbreaking, but it offers a restrained yet empowering performance by Sweeney. If you enjoy campy horror and appreciate themes related to faith and mystery, it’s worth a watch. However, manage your expectations—the film doesn’t fully deliver on its potential.