Fly Me to the Moon lurches wildly from zippy, retro rom-com to cynical political satire to weighty, remorseful drama and back again. The film follows Kelly Jones (played by Scarlett Johansson), a late-’60s ad executive tasked with selling the space program to the American people. Her transformation from one moment to the next provides the primary source of joy in the film. Themes of deception, ambition, and the weight of truth underpin the narrative.

Character Development:

Johansson’s charismatic portrayal of Kelly is a highlight. She’s Don Draper in a pink pencil skirt, and her ability to read people makes her formidable. Unfortunately, the supposed romantic connection with Channing Tatum’s launch director, Cole Davis, lacks chemistry. Tatum’s stoic performance falls short of the lightness required for this screwball romantic comedy.

Director’s Style and Technical Aspects:

Director Greg Berlanti balances predictable rom-com beats with the absurd concept of faking a moon landing. The film’s pacing and character development have minor issues, but strong writing and performances elevate it. The mid-century chic ensembles, courtesy of costume designer Mary Zophres, add visual flair.

Strengths:

• Scarlett Johansson’s charismatic performance
• Intriguing premise blending rom-com and political satire
• Stylish costumes and attention to period detail

Weaknesses:

• Lack of chemistry between Johansson and Tatum
• Uneven tonal shifts
• Exposition-heavy moments

Overall Impact and Recommendation:

Fly Me to the Moon is an enjoyable and memorable rom-com, despite its flaws. If you’re a fan of Johansson or appreciate unique genre mash-ups, it’s worth a watch.